Tag Archives: Vancouver

Wanted All Over the World – George Thorogood and The Destroyers – Canada 1981 – Part 1

This is one of a series of posts expanding on my 50 States in 50 Dates blog by documenting the global touring adventures of George Thorogood and the Delaware Destroyers and the earlier years of their career.

Quick Links:

Above: 1981 print ad for Attic Records, the record label issuing George Thorogood and the Destroyers’ albums in Canada in the late 1970s and early 1980s. Source: Billboard Magazine. Jan. 24, 1981.

Commodore Ballroom. Vancouver, British Columbia.

Date:  March 3 & 4, 1981. Two shows per night.

Venue: Commodore Ballroom. 868 Granville St. Vancouver, BC. V6Z 1K3. Canada.

Find it on Google Maps: https://goo.gl/maps/4J1tXtknWAhW7DMA7

Venue Exterior

1981:

Source: City of Vancouver Archives.

2018:

Venue Interior:

Date Unknown:

1979:

Source: Vancouver Sun. Nov. 30, 1979. Pg. 2L.

Opening Act:  Wailin’ Walker and the Houserockers.

Source: Vancouver Sun. Aug. 18, 1983. Pg. D1.

Poster / Flyer / Handbill:  I have not (yet) come across a poster, flyer or handbill for the Destroyers’ 1981 shows at the Commodore Ballroom.  Please get in touch if you have a scan or a photo that you can share.

Press & Promotion

Above: Newspaper ad for the early and late shows by George “Thorgood” (sp) and the Destroyers at the Commodore Ballroom on March 4, 1981. The March 3rd shows were added soon after. Source: Vancouver Sun. Feb. 7, 1981. Pg. C10.

Source: Vancouver Sun. Feb. 24, 1981. Pg. C5.

Source: Vancouver Sun. Feb. 27, 1981. Pg. L42.

Ticket Price:  $9.

Ticket Stub: I have not yet seen a ticket stub from these concerts. If you have a photo or scan to share, please get in touch!

Attendance:  1,000 per show (4,000 total).

Source: Billboard Magazine. March 21, 1981. Pg. 70.

Set List:

March 3, 1981 (early show):

  • House of Blue Lights.
  • One Bourbon, One Scotch, One Beer.
  • Bottom of the Sea.
  • Cocaine Blues.
  • Move It On Over.
  • Reelin’ and Rockin’.

Sources: Ubyssey News. March 6, 1981. Pg. 7; The Province. March 4, 1981. Pg. A6; Vancouver Sun. March 4, 1981. Pg. B1; The Other Press. March 12, 1981. Pg. 6.

Were these Concerts Recorded? Unknown.

Concert Photos:

Source: Vancouver Sun. March 4, 1981. Pg. B1.

Concert Reaction:

As Vancouver Province music critic Tom Harrison reported, the beer and the music were popular at the Destroyers’ early show at the Commodore Ballroom on March 3, 1981:

“[A] reliable measure of the compatibility of a rock and roll band and beer – amber elixir of the hairy mass – is the length of the line to the washroom.  On Tuesday, the Commodore’s were jammed.

The occasion was the first sold-out show of four by George Thorogood and the Destroyers […] and as far as beer-drinking and hell-raising go, the combination of Thorogood and good old skunky Canadian beer was a match made in heaven…

Destroyers Jeff Simon (drums), Billy Blough (bass) and the significant addition of Hank Carter on sax are the sturdy, well-named but otherwise anonymous unit that greases Thorogood’s wheels.  Together, from House Of Blue Lights through a murderous Reelin’ and Rockin’, George and the boys are honkers, shouters, troubleshooters and Bo Diddley-style gunslingers.

There isn’t a lot to what they do; it’s how they do it. Thorogood is not so much a blues musician as he is someone who knows what counts.  In his case, energy, showmanship, honesty, integrity. And communion. The first show was only three songs old when George surveyed his parishioners and commented, “It’s nice to see the dancefloor christened so early in the sermon.”  So, the Commodore was a church for a night and beer the holy water.”

Source: The Province. March 4, 1981. Pg. A6.

Vancouver Sun music critic Fiona McQuarrie had these positive words to say about the Destroyers’ early show at the Commodore Ballroom on March 3, 1981:

“Thorogood and his band, the Destroyers, cement their reputation as first-rate entertainers every time they hit this town. They play rock with the energy and drive that it deserves, and, best of all, they make sure everybody has a good time while they do it.

Wednesday night at the Commodore, for the first of four sellout shows, the four-man band (in front of a sign proclaiming ”World’s Original Five-Man Trio!!!”) blasted their way through a two-hour set that left them dripping with sweat and the audience, with beer cans up to their ankles, screaming for more.  That was no concert, that was a party.

Thorogood is the musical equivalent of a revivalist preacher, bringing the spirit of rock and roll to the masses with a frenzied intensity.  He even swings his microphone over the crowd and touches the head of his guitar to the heads of the people in the front row, as if he was blessing them in some bizarre ritual.

He’s a powerful, relentless guitarist, and […] and he never stops moving.  He duckwalks across the stage, he does split-second knee drops (accentuated by cymbal crashes from drummer Jeff Simon), he jumps onto the dance floor, he climbs on a table and churns out his [solos] while fans shake their fists in time to the music.

Simon and bassist Bill Blough are an airtight rhythm section, keeping the steady beat that Thorogood plays off and embellishes upon. And the newest Destroyer, dapper saxophonist Hank Carter, adds an extra element to the sound while trading off some dynamic riffs with Thorogood.”

Source: Vancouver Sun. March 4, 1981. Pg. B1.

Steve McClure of the University of British Columbia’s “Ubyssey” student newspaper wrote a positive review of one of the Destroyers’ shows on March 3, 1981:

“Boom boom, out go the lights… and several neurons and all self-control.  George Thorogood’s concert Tuesday night at the Commodore was one occasion where you had to be severely out of it to appreciate the raw energy of the crazed bluesman when plying his craft.

Not that you had to lower your critical standards when boppin’ to Mr. Thorogood, but it sure does help to become totally, well, involved.  Thorogood plays an absolutely undiluted brand of blues-rock that leaves most of his competitors wondering what hit them.  He doesn’t hold anything back, playing the most screeching and intense rock and roll imaginable. If he doesn’t have such a great voice, well who cares, his guitar speaks volumes anyway…

Thorogood believes in his music, and likes to tell people about it. “‘Don’t watch me,” he told the crowd at one point, “get up there and dance!”  And some people actually did, although many preferred to join in the pulsating throng of Thorogoodians in front of the stage.  You could feel the sweat in the air.

The man […] knows how to work a crowd, jumping into it with abandon, getting people involved with the music.  Truly a people’s performer…  Sometimes the pace slowed down enough for Thorogood to want to do some laid-back blues but for the most part he stuck to basic rock, which is all everybody at the Commodore wanted.”

Source: Ubyssey News. March 6, 1981. Pg. 7.

Other Notes: None.

Fate of the Venue: The Commodore Ballroom continues to host concerts and other public events.

Kelowna Community Theatre. Kelowna, British Columbia.

Date:  March 5, 1981.

Venue: Kelowna Community Theatre. 1375 Water St. Kelowna, BC. V1Y 0B4. Canada.

Find it on Google Maps: https://goo.gl/maps/zfCVCo7mFfM3VaQaA

Venue Exterior

1965:

Source: Kelowna Community Theatre.

2021:

Venue Interior: I am still looking for a photo inside the Kelowna Community Theatre, circa 1981. Please send me a note of you have a lead.

Opening Act:  Unknown.

Poster / Flyer / Handbill:  I have not (yet) come across a poster, flyer or handbill for the Destroyers’ March 5th, 1981 show at the Kelowna Community Theatre.  Please get in touch if you have a scan or a photo that you can share.

Press & Promotion: I am still looking for any advertising to promote this concert.

Ticket Price:  Unknown.

Ticket Stub: I have not yet seen a ticket stub to this concert. If you have a photo or scan to share, please get in touch!

Attendance:  Unknown. Depending on the source, the Kelowna Community Theatre had capacity for an audience of 853 or 875 people at this time.

Set List: Unknown. Please send me a note if you have any details.

Was the Concert Recorded? Unknown.

Concert Photos: I am still looking for any photographs of this concert. Please send me a note if you have any leads.

Concert Reaction: I have not (yet) found a contemporary printed review for this concert, circa 1981. Please send me a note if you can point me in the right direction.  

Other Notes: None.

Fate of the Venue: At the time of this writing, the Kelowna Community Theatre continues to function as a venue for live performances and other public events.

Marquis Hall. University of Saskatchewan. Saskatoon, Saskatchewan.

Date:  March 6, 1981. The Destroyers performed two shows at Marquis Hall on this date.

Venue: Marquis Hall. University of Saskatchewan. 97 Campus Dr. Saskatoon, SK. S7N 4L3. Canada.

Find it on Google Maps: https://goo.gl/maps/C4CBTQ6TS9JeuVyt9

Venue Exterior

1980:

Source: University of Saskatchewan Archives.

2014:

Venue Interior:

1981:

Source: University of Saskatchewan Archives.

Opening Act:  The Whales.

Source: Saskatoon Star Phoenix. Aug. 18, 1980. Pg. C13.

Poster / Flyer / Handbill:  I have not (yet) come across a poster, flyer or handbill for the Destroyers’ 1981 show at Marquis Hall.  Please get in touch if you have a scan or a photo that you can share.

Press & Promotion

Source: Sheaf. March 4, 1981. Pg. 6.

Source: Sheaf. March 4, 1981. Pg. 11.

Source: Saskatoon Star Phoenix. March 6, 1981. Pg. D1.

Above: As you can see, the Destroyers concerts on March 6, 1981 were originally going to take place at Saskatoon’s Centennial Auditorium. The shows were moved to Marquis Hall because of a strike by unionized city workers.

Source: Saskatoon Star Phoenix. Feb. 26, 1981. Pg. D1.

Above: Saskatoon’s Centennial Auditorium.

Ticket Price:  Unknown.

Ticket Stub: I have not yet seen a ticket stub to this concert. If you have a photo or scan to share, please get in touch!

Attendance:  Unknown. The Saskatoon Star Phoenix reported that the Destroyers played to “two packed houses” on this date. The Marquis Hall Events Centre currently has capacity for 450 people.

Source: Saskatoon Star Phoenix. March 7, 1981.

Set List:

March 6, 1981 (early show):

  • House of Blue Lights.
  • The Sky is Crying.
  • Cocaine Blues.
  • One Bourbon, One Scotch, One Beer.
  • Madison Blues.
  • It Wasn’t Me.

Source: Saskatoon Star Phoenix. March 7, 1981.

Were these Concerts Recorded? Unknown.

Concert Photos: I am still looking for any photographs of these concerts. Please send me a note if you have any leads.

Concert Reaction:

Bill Robertson of the Saskatoon Star Phoenix had this to say about the Destroyers’ early show at Marquis Hall in Saskatoon on March 6, 1981:

“After wavering between fact and fiction, strike and settlement, one of the cult heroes of the rock and roll scene, George Thorogood, finally found a place to play in Marquis Hall on the U. of S. campus Friday night.  And play he did.

George Thorogood and his Delaware Destroyers have been destroying concert halls, cabarets, clubs and bars since well before the release of his first of three albums issued to date. Critics have called him derivative, unoriginal, and a rehash of old standards but those critics are still talking and Thorogood is still packing the houses and bringing the fans to their feet.

Whatever rock and roll is, it’s supposed to be fun and two packed houses in Saskatoon can attest to the fact that Thorogood’s music is fun…

Thorogood put his low strung Gibson through the paces while sidemen on bass, drums and saxophone charged on behind him. After one run through [the venue], during which Thorogood ran down onto the dance floor and up on to some tables while playing, he called the crowd in and had the people move up front. From there he started all over and let blast with his distinctive brand of rough and ready, rock and roll.

Thorogood is capable of some of the most restrained and evocative electric blues music on the road today […] but it is the raw voice and the wild guitar that have set him apart as a big draw on the club circuit.  Thorogood’s renditions […] are so familiar to his following that whenever he stepped away from the microphone and nodded to the audience it filled in the words.”

Source: Saskatoon Star Phoenix. March 7, 1981.

Other Notes: There was no liquor or dancing permitted for these shows.

Fate of the Venue: At the time of this writing, Marquis Hall continues to serve as a venue for conferences, weddings and other public events.

Rockyview Park Community Centre. Calgary, Alberta.

Date:  March 7, 1981.

Venue: Rockyview Park Community Centre. 69th Street and Richmond Road. Calgary, AB. Canada. (approx. 3939 – 69th Street SW. Calgary, AB. T3H 3Y1. Canada.)

Find it on Google Maps: https://goo.gl/maps/yhSAAvtjVejGbVcb6

Venue Exterior

1962:

Above: Prior to becoming the Rockyview Park Community Centre, the building housed the Elbow Valley Curling Club. This photo is from that time. The building is identifiable by its pointed “laminated arch beam” roof.

2021:

Venue Interior:

1979:

Source: Calgary Herald. Sept. 27, 1979. Pg. C5.

Opening Act:  Sidewinder.

Source: Calgary Herald. Sept. 25, 1981. Pg. D9.

Poster / Flyer / Handbill:  I have not (yet) come across a poster, flyer or handbill for the Destroyers’ 1981 show at the Rockyview Park Community Centre.  Please get in touch if you have a scan or a photo that you can share.

Press & Promotion

Source: Calgary Herald. Feb. 28, 1981. Pg. H5.

Source: Calgary Herald. Mar. 5, 1981. Pg. D10.

Ticket Price:  Unknown.

Ticket Stub: I have not yet seen a ticket stub to this concert. If you have a photo or scan to share, please get in touch!

Attendance:  Unknown. The Rockyview Park Community Centre had legal capacity for 2,400 people in 1975. Venue operators typically capped attendance for rock concerts at 1,000 to 1,200 people.

Source: The Calgary Albertan. April 24, 1975. Pg. 6.

Set List:

  • Johnny B. Goode.
  • I’m Wanted.
  • One Bourbon, One Scotch, One Beer.
  • Madison Blues.

Source: Calgary Herald. March 9, 1981. Pg. B8; University of Calgary Gauntlet. March 11, 1981. Pg. 9.

Was the Concert Recorded? Unknown.

Concert Photos:

Source: Calgary Herald. March 9, 1981. Pg. B8.

Concert Reaction:

This review by Roman Cooney of the Calgary Herald describes the scene on the stage and in the audience at the Rockyview Park Community Centre on March 7, 1981:

“From the moment George Thorogood cut through the smoke and noise of the crowded Rockyview Community Centre with Chuck Berry’s classic riff (from Johnny B. Goode, natch), there seemed little doubt that it would be a night for rock ‘n’ roll…

Ever the show-off while on stage, it’s Thorogood’s personality and his delivery, the brash showmanship and the simplicity of blues-rock (and a little country and western) that gives spirit to his routine.  There just isn’t any room for subtlety, what with the sax player squawking in the background, the bass player rumbling through the rhythm and the drummer making his own bid for dominance.  Thorogood doesn’t have time to treat it gently, so he slaps that big fat Gibson around and gives the crowd rock ‘n’ roll the way they want it.

Get the picture?  It ain’t the music, it’s the atmosphere.  In this case, straight out of a high school dance scene: the stuffy close quarters of a community hall like a high school gym; colorful streamers hung across the ceiling, leftover from a previous party of some sort; the sound unimaginably bad; people sneaking booze in under their jackets…

The crowd, now there’s a different story.  From boppers to bikers, you’re not likely to find these people at your basic KISS concert.  Some would have trouble picking Chuck Berry out of a crowd; others looked like they were around to buy his original recordings hot off the press…

As rock ‘n’ roll goes — not just the music, but the emotion as well, the best measure of good rock — Thorogood has the game aced.  He falls far short of being a guitarist of vast or varied technical skills, and he lacks innovation, but as a showman he’s hard to match.”

Source: Calgary Herald. March 9, 1981. Pg. B8.

Reviewer Robert Vaile from the University of Calgary’s Gauntlet student newspaper described “a night of unrelenting rock ‘n roll” at the Rockyview Park Community Centre on March 7, 1981:

“From the opening riffs it was all George Thorogood and the Destroyers at their hard-driving best. Their aggressive rock came like a well-deserved slap in the face in these times of heavily textured and seldom interesting pop music. Thorogood lives in the past, his idols are the blues greats of rock’s early years and he makes no bones about it. He lets the music do the talking.

The concert was held at the Rockyview Community Centre in the west end of town and the crowd that showed up included representatives of all groups of humanity. The common denominator was a love for straight ahead rock ‘n roll. The band just never let up…

Thorogood, much renowned for his stage antics and his aggressive playing style, was superb… He likes to see the crowd get involved and encouraged them to join in a few choruses. The audience responded approvingly. The Destroyers were tight and provided all the support that Thorogood needed. Drummer Jeff Simon and bassist Billy Blough worked hard to keep the beat while Thorogood ripped off solo after solo. Sax-man Hank Carter rounded out the band most admirably and it was unfortunate that his early solos were marred by feedback and distortion.

The evening raged on for over an hour before Thorogood decided to take a bit of a break and the band eased into its first slow number. This change of pace gave Thorogood a chance to demonstrate his true ability as a guitarist as he worked skillfully through the leads. He is not a great guitarist in terms of his ability to use a broad range of styles. However, he is an expert blues guitarist and what he doesn’t have in versatility he makes up for with unlimited energy and raw power. As we drove back to town with our ears pleasantly ringing, it was obvious that Saturday night with George Thorogood would be one to remember.”

Source: University of Calgary Gauntlet. March 11, 1981. Pg. 9.

Other Notes: None.

Fate of the Venue: The Rockyview Park Community Centre was still in operation as of 1982, but was replaced by the Hungarian Canadian Cultural Centre at that site as of January 1984. At the time of this writing, the former Rockyview Park Community Centre is home to Westside King’s Church.

Source: Calgary Herald. Aug. 10, 1996. Pg. G7.

Wanted All Over the World – George Thorogood and The Destroyers – Canada 1979

This is one of a series of posts expanding on my 50 States in 50 Dates blog by documenting the global touring adventures of George Thorogood and the Delaware Destroyers in the earlier years of their career.

Quick Links:

Above: 1979 Attic Records / CBS Records Canada ad mentioning George Thorogood. Source: Billboard Magazine. Jan. 20, 1979. Pg. 109.

FC Smith Auditorium. Montreal, Quebec.

Date:  February 8, 1979.

Venue: F.C. Smith Auditorium.  Concordia University. 7141 Sherbrooke St. West. Montreal, QC. H4B 1R6. Canada.

Find it on Google Maps: https://goo.gl/maps/TtPJTsJoEtHJmgh5A

Venue Exterior

Post-1934:

Note: The FC Smith Auditorium is in the basement of the Loyola Chapel Building.

1979:

Above: Actors Kate Jackson (Charlie’s Angels) and Elliot Gould (M*A*S*H) stand outside the entrance to the FC Smith Auditorium while filming the comedy “Dirty Tricks”. Source: Concordia University Yearbook. 1980. Pg. 46.

Source: https://www.concordia.ca/offices/archives/buildings/loyola/chapel-building.html

2019:

Venue Interior:

1972:

Source: University of Concordia Archives.

Opening Act:  The Big City Band.

Read more about the Big City Band on their Facebook page.

The Destroyers made use of the Big City Band’s sound system for this concert. See the ‘Concert Reaction’ section below.

Poster / Flyer / Handbill:  I have not (yet) come across a poster, flyer or handbill for the Destroyers’ show at the FC Smith Auditorium.  Please get in touch if you have a scan or a photo that you can share.

Press & Promotion

Source: Montreal Gazette. January 31, 1979. Pg. 29.

Source: Circus Magazine. Feb. 6, 1979. Pg. 12.

Source: Concordia University Thursday Report. February 8, 1979. Pg. 8.

Source: Montreal Gazette. February 8, 1979. Pg. 70.

Ticket Price:  $6.50.

Ticket Stub: I have not seen a ticket stub for the Destroyers’ show at the FC Smith Auditorium.  Please get in touch if you have a scan or a photo that you can share.    

Attendance:  The Destroyers’ show at the FC Smith Auditorium was sold out. The auditorium held 650 people in 1978. 

Source: Concordia University Undergraduate Calendar, 1977-78. Pg. 7.

Set List:

1st Set:

  • House of Blue Lights
  • One Bourbon, One Scotch, One Beer
  • Ride on Josephine
  • The Sky is Crying
  • Delaware Slide
  • Madison Blues
  • Reelin’ and Rockin’

2nd Set:

  • No Particular Place to Go
  • Who Do You Love?
  • I’m Wanted
  • Johnny B. Goode
  • Move It On Over

Source:  Surfin’ Bird Magazine. 1979. Pg. 24.

Was the Concert Recorded?  Unknown. Please get in touch if you have any information.

Concert Photos: I have not come across any photos from this concert thus far. Please send me a note below if you know of any.

Concert Reaction:  

David Sherman of the Montreal Gazette wrote positively and poetically about the Destroyers’ 1979 concert at the FC Smith Auditorium:

“Neither hockey fever, mixed up directions or a light snow storm could come between Delaware rocker George Thorogood and his devoted following… Thorogood and his Destroyers came late but ready and stormed the beer-strewn hall with a searing set of old time rock and roll.

Backed by the two-piece Destroyers, bassist Billy Blough and drummer Jeff Simon, Thorogood ingratiates himself instantly with the audience, provokes their hysteria, then works off the energy.

The Destroyers packed no equipment for their drive up from Michigan, save for Simon’s drum kit. They borrowed a sound system from the ‘Big City Band’ that opened the show and simply plugged in when they arrived, without the fuss of roadies and soundmen.

Thorogood lets his rhythm section fuel the sound and he expands on it with his brash chords and beautifully finessed phrasing. He does not strive to beat you senseless or appeal to the lowest common denominator. He works within the fundamentals but he applies his own astute understanding to seek out the beauty and emotions of the form, to elevate it to art rather than to pull it down to mass hype.”

Source:  Montreal Gazette. February 9, 1979. Pg. 45.

Other Notes

Above: Hand-written postcard from February 1979 sent by George Thorogood to the I Like It Like That record store at 58 E. Main Street in Newark, Delaware. The message reads:

“Hey you teens! There are no ugly women in this town! It’s cold, but the people are ready to rock – See ya soon bros – Geo & Destroyers”.

Source: Personal collection.

L’Hotel Loews LaCite, located at 3625 avenue du Parc, is now known as New Residence Hall and operated by McGill University.

Above: The interior of the I Like It Like That record store in 1983.

I Like It Like That closed in 1987 after more than 10 years in business.

Source: Wilmington News Journal. Aug. 17, 1978. Pg. 26 & The Morning News. Nov. 17, 1983. Compass Supplement. Pg. 01.

Fate of the Venue: The FC Smith Auditorium continues to host concerts, classes, workshops and other live events. The Auditorium was renovated, divided into two, and seating capacity was reduced to 280 people.

Ottawa Civic Centre Salons. Ottawa, Ontario.

Dates:  February 9, 1979.

Venue:  Ottawa Civic Centre Salons. 1015 Bank Street. Ottawa, ON. K1S 3W7. Canada.

Find it on Google Maps: https://goo.gl/maps/PvyEKuvfm5DU2usX8

Venue Exterior

1967:

Source: The Financial Post. June 17, 1967. Pg. 35.

2018:

Venue Interior:

Above: 1985 Metallica / WASP concert at the Ottawa Civic Centre Salons. Source:  Facebook.

Opening Act:  Downchild (aka Downchild Blues Band).

Above: Downchild perform at Toronto’s El Mocambo Tavern in 1978. Source: Toronto Public Library Archives.

Note: Downchild were billed to open the Ottawa concert, but did not end up performing due to mechanical issues with their vehicle. The band arrived at the Civic Centre, but it was too late for them to go on.

Source: Ottawa Citizen. Feb. 10, 1979. Pg. 51.

Poster / Flyer / Handbill:  I have not (yet) come across a poster, flyer or handbill for the Destroyers’ show at the Civic Centre Salons.  Please get in touch if you have a scan or a photo that you can share.

Press & Promotion

Source:  Ottawa Citizen. Feb. 3, 1979. Pg. 38.

Source: Circus Magazine. Feb. 6, 1979. Pg. 12.

Source: Ottawa Citizen. Feb. 9, 1979. Pg. 18.

Source: Ottawa Citizen. Feb. 9, 1979. Pg. 8.

Source: Circus Magazine. Feb. 13, 1979. Pg. 9.

Ticket Price:  Unknown.

Ticket Stub:  I have not (yet) come across a ticket stub for the Destroyers’ show at the Civic Centre Salons.  Please get in touch if you have a scan or a photo that you can share.  

Attendance: 2,000.

Source: Ottawa Citizen. Feb. 10, 1979. Pg. 51.

Set List:

  • Johnny B. Goode
  • No Particular Place to Go
  • Reelin’ and Rockin’
  • One Bourbon, One Scotch, One Beer
  • Who Do You Love?
  • Madison Blues
  • Move It On Over

Source: Ottawa Journal. Feb. 10, 1979. Pg. 47 & Ottawa Citizen. Feb. 10, 1979. Pg. 51.

Was the Concert Recorded?  Unknown. Please get in touch if you have any information.

Concert Photos:

Above: An absolutely incredible photo taken by Roch Parisien of George Thorogood and Bill Blough performing at the Ottawa Civic Centre Salons on February 9, 1979. Source:  Facebook.

Source: Carleton University. The Charlatan. Feb. 15, 1979. Pg. 24.

Source: Carleton University. The Charlatan. Feb. 15, 1979. Pg. 24.

Source: Carleton University. The Charlatan. Feb. 15, 1979. Pg. 24.

Source: Carleton University. The Charlatan. Feb. 15, 1979. Pg. 24.

Source: Carleton University. The Charlatan. Feb. 15, 1979. Pg. 24.

Concert Reaction:  

Chris Cobb of the Ottawa Journal had this to say about the Destroyers’ concert at the Ottawa Civic Centre:

“[Because] of his incredible energy, keen sense of showmanship, and a strange quirk of show business fate, Thorogood is a rising star… Thorogood played Ottawa Civic Centre salons last night and because Downchild didn’t turn up in time to play the opening set, he took to the stage early. He played 90 action-packed minutes… The show was a complete success […] because most everyone in the crowd simply had a good time”.

Source: Ottawa Journal. Feb. 10, 1979. Pg. 47.

Ottawa Citizen reviewer Guy Lepage witnessed a “Friday night jamboree [and] hootenanny” at the Civic Centre salons:

“The blues were never better as the Boston [sic] trio churned out foot stompin’, hand clappin’ tunes that had most of the audience on their feet after every number. After a few songs, they didn’t bother sitting down.

The roar of the crowd drowned out the sound system, which at times did not produce enough volume for the people at the other end of the hall. But whatever voids were created by the sound system were filled by the intense control Thorogood had over the audience. He succeeded in getting the audience in the palm of his hand early and made sure everyone was having a good time.”

Source: Ottawa Citizen. Feb. 10, 1979. Pg. 51.

Geoff Pevere from Carleton University’s The Charlatan student newspaper wrote a mixed review about the Destroyers’ Civic Centre show in 1979:

“George Thorogood began his Civic Centre concert in an unprecedented manner Friday night. When the crowd entered the gymnasium salon shortly before show time, we were all quite surprised to see Thorogood himself, bedecked in black, tuning up with his band on stage.  No hoopla, no dimmed lights and unbearable suspense.  When he was ready to play, he said so and plunged right in.

This no-frills, unpretentious approach to rock and roll is probably what lies at the root of Thorogood’s recent popular success.  He burst upon the music scene last year with a novel album highlighting rough-edged blues and rock and roll, and played with an Elmore James-style slide guitar.  If there was any problem with the album, it was because Thorogood is an interpreter, not an innovator:  The proceedings often became tedious.  The same repetition marred Thorogood’s Ottawa appearance. 

This is not to say Thorogood didn’t have his heart in it; if anything, he is one of today’s most visual non-theatrical rock and roll performers. He plays lying down, he plays while duckwalking a la Chuck Berry and he plays with his guitar propped behind his head.  He has a hilarious, quasi-religious schtick which flavors most of his between-song commentary. Drinking beer became “taking communion”, songs were “hymns” and the stage became an “altar”.

None of this concealed Thorogood’s merely passable guitar work – and that’s not good enough for someone forefronted to Thorogood’s extent.  At one point he demanded the house lights be brought up and encouraged the crowd to get on its feet and dance.  “If you just wanna watch, that’s okay.  But we never claimed to be good looking.  We’re just a dance band, after all.”

Although the concert was advertised as a pub, through a bureaucratic screwup the evening was dry.  This didn’t prevent much of the audience from drinking from concealed bottles and wine-skins.  Judging by their antics, they had the time of their lives. It was then I realized the extent to which booze and Thorogood’s blues go together.”

Source: Carleton University. The Charleton. Feb. 15, 1979. Pg. 24.

Other Notes: None. 

Fate of the Venue:  The Ottawa Civic Centre, known as TD Place Arena at the time of this writing, is part of the Lansdowne Park complex and grounds. Lansdowne Park was substantially redeveloped beginning in 2012. The Civic Centre Salons were used for public events and trade shows prior to the redevelopment.

Le Plateau Auditorium. Montreal, Quebec.

Dates:  February 10, 1979.

Venue:  Le Plateau Auditorium. 3700 Avenue Calixa-Lavallée. Montreal, QC. H2L 3A8. Canada.

Find it on Google Maps: https://goo.gl/maps/VC4rHmiDBo6DTtco7

Venue Exterior

1959:

Source: City of Montreal Archives.

2019:

Venue Interior:

1940

Source: City of Montreal Archives.

Opening Act:  The Montreal Star reported that the 1973 movie “Let the Good Times Roll” was shown to the Le Plateau audience before the Destroyers took to the stage.

Source: Montreal Star. Feb. 12, 1979. Pg. C7.

Poster / Flyer / Handbill:  I have not (yet) come across a poster, flyer or handbill for the Destroyers’ show at Le Plateau.  Please get in touch if you have a scan or a photo that you can share.

Press & Promotion

Source: Montreal Gazette. Jan. 20, 1979. Pg. 70.

Source: Montreal Gazette. January 31, 1979. Pg. 29.

Above: A concert listing from Circus Magazine with Montreal’s Imperial Theatre noted as the venue. Source: Circus Magazine. Feb. 6, 1979. Pg. 12.

Source: Montreal Gazette. February 8, 1979. Pg. 70.

Above: A second concert listing from Circus Magazine with Montreal’s Imperial Theatre noted as the venue. Source: Circus Magazine. Feb. 13, 1979. Pg. 9.

Ticket Price:  $6.50.

Ticket Stub:  I have never seen a ticket stub for the Destroyers’ show at Le Plateau.  Please get in touch if you have a scan or a photo that you can share.  

Attendance: There were “thousands” in attendance for this concert according to the McGill Daily newspaper. Official capacity for Le Plateau is 1,307 people.

Source:  McGill Daily. Vol 68. No. 73. Feb. 15, 1979. Pg. 8 & The Canadian Encyclopedia. Dec. 13, 2013.

Set List:

  • House of Blue Lights
  • One Bourbon, One Scotch, One Beer
  • Ride On Josephine
  • Madison Blues
  • Cocaine Blues
  • Move It On Over
  • No Particular Place to Go
  • It Wasn’t Me
  • Johnny B. Goode
  • Reelin’ and Rockin’

Source: McGill Daily. Vol 68. No. 73. Feb. 15, 1979. Pg. 8 & Montreal Star. Feb. 12, 1979. Pg. C7.

Was the Concert Recorded?  Yes. This concert was broadcast on Montreal radio later in February 1979.

Source: Montreal Gazette. Feb. 21, 1979. Pg. 46.

Concert Photos: I am still looking for photos of this concert. Please send me a note if you know of any.

Concert Reaction:  

I challenge you to find a more enthusiastic review than the one written by Daniel Chonchol of the McGill Daily newspaper for the Destroyers’ 1979 concert at Le Plateau:

“Last Saturday night at Our Lady of Le Plateau, a religious experience occurred the likes of which this city has rarely seen. Thousands packed the tiny hall to listen to the Reverend George Thorogood of Delaware – who on this occasion was accompanied by his acolytes, the Destroyers – preach the gospel of boogie, and nary a soul came away unconverted.

As the Rev’s electrifying sermon progressed, the adoring throng, seized by ecclesiastic fervor, rushed the stage. Shortly into his oration, the Rev cried, “Are you with me?” It was a rhetorical question. Disco heathens and pagan punks alike saw the light and surrendered their souls (and their bodies) to rock and roll.

It was, in a word, incredible. The sound Thorogood coaxes out of his instrument [is] booming, rough and raw. It’s hard edged and lean, with no excess. At times, the swerving, careening guitar is like a runaway train, set to obliterate everything in its path, but Thorogood somehow always manages to bring it back under control.

He is constantly moving, strutting, dipping, duck walking. He plays on his back and behind his back, in the wings and in the aisles. The country boy grin on his face shows that he’s having a hell of a time and the enthusiasm is infectious.”

Source: McGill Daily. Vol 68. No. 73. Feb. 15, 1979. Pg. 8.

Matt Radz of the Montreal Star filed a mixed review of this show:

“If George Thorogood and the Destroyers hadn’t become the hottest new act on the rock scene it would have been necessary to invent them, if only to assure the survival of hard-rocking blues into the ’80s. Thorogood doesn’t just play rock’n’roll.  He celebrates it with a passion as real and unaffected as his gee-whiz, aw shucks smile. 

He duckwalked, strutted, kicked, and leaped his way into the hearts of the capacity audience jamming Le Plateau Saturday night with easily the best display of honest rock’n’roll since Bruce Springsteen played the Forum.  He surpassed The Boss for non-stop excitement.  The 27-year-old slide guitar whiz from Delaware and his thunder and lightning rhythm section, Bill Blough on bass and drummer Jeff Simon, had the audience at their mercy and on their feet, raising the roof with the opening number House Of Blue Lights…

If there is a shortcoming, it’s that the trio format is limiting.  As one local musician in the crowd put it: “Once you’ve heard four songs … you’ve heard the act.”  Never mind the dullards taking up space in the charts and record stores.  With George Thorogood and the Destroyers on the loose, the pure and joyous sound of rock’n’roll is in very safe hands.”

Source: Montreal Star. Feb. 12, 1979. Pg. C7.

Other Notes: None. 

Fate of the Venue:  Le Plateau Auditorium remains in use as part of the Le Plateau school.

Convocation Hall. Toronto, Ontario.

Date:  February 12, 1979. Two shows.

Venue:  Convocation Hall. University of Toronto. 31 King’s College Circle. Toronto, ON. M5S 1A1. Canada.

Find it on Google Maps: https://goo.gl/maps/xUTxv2ft3pk74rnp8

Venue Exterior

1930s:

Source: University of Toronto Archives.

2019:

Venue Interior:

1970s:

Source: University of Toronto Archives.

Opening Act:  I have seen reports online that fellow Attic Records labelmates the Bopcats, a rockabilly group from Toronto, were the openers. Please send me a note if you can confirm this information.

Poster / Flyer / Handbill:  I have not (yet) come across a poster, flyer or handbill for the Destroyers’ shows at Convocation Hall.  Please get in touch if you have a scan or a photo that you can share.

Press & Promotion

Source:  The Varsity (University of Toronto). Jan. 17, 1979. Pg. 14.

Source: Circus Magazine. Feb. 13, 1979. Pg. 9.

Ticket Price:  Unknown.

Ticket Stub:  I have not (yet) come across a ticket stub for the Destroyers’ shows at Convocation Hall.  Please get in touch if you have a scan or a photo that you can share.  

Attendance: Unknown. Both concerts were sold out. Convocation Hall has capacity for an audience of 1,730 people.

Source: Cashbox Magazine. Issue 40. Pg. 17.

Set List:

  • House of Blue Lights
  • One Bourbon, One Scotch, One Beer
  • Ride on Josephine
  • Madison Blues
  • Reelin’ and Rockin’
  • Who Do You Love?
  • Johnny B. Goode
  • Move It On Over
  • No Particular Place to Go

Source:  The Varsity (University of Toronto). Feb. 14, 1979. Pg. 7 & Cashbox Magazine. Issue 40. Pg. 17.

Were the Concerts Recorded?  Unknown. Please get in touch if you have any information.

Concert Photos:

Above: George Thorogood performs at Toronto’s Convocation Hall on February 12, 1979. Photo Credit: Doug Griffin/Toronto Star via Getty Images.

Source:  Facebook.

Photo Credit: Ron Croft. Source: Facebook.

Concert Reaction:  

Joanna Kidd of the University of Toronto Varsity shared these impressions of the Destroyers’ in concert at Convocation Hall:

“The outside temperature was minus twenty degrees Celsius, but the high school kids from [Scarborough, a Toronto suburb] invaded Convocation Hall anyway… Definitely not your usual Con Hall crowd – they danced in the aisles, they broke chairs and they kept on smoking despite the usual terrifying threats from the SAC [Students Administrative Council] marshals…

For many of them, a George Thorogood concert was probably the first popular music of any substance, of any integrity that any of them had ever seen live. They loved it.

Bereft of the usual rock and roll armoury of tricks and effects, Thorogood set out to get the ordinarily taciturn Toronto crowd rocking, and eventually had even those on the second balcony on their feet.”

Source:  The Varsity (University of Toronto). Feb. 14, 1979. Pg. 7.

Kirk Lapointe of Cashbox Magazine recounted the interesting and unusual start to the concert:

“After the opening act had finished, the smoke detector at Convocation Hall went off and people were forced to abandon their general admission seats to brave the zero-degree Toronto night. ‘I’m glad it was a false alarm,’ said George Thorogood upon his entrance to the stage, ‘because the Destroyers are going to set this place on fire’.”

Source:  Cashbox Magazine. Issue 40. Pg. 17.

Other Notes:

When all was said and done, the audience at the “heavy” Destroyers concert caused “less than $500” in damage to Convocation Hall – mostly to chairs. As a direct result, SAC officials, the concert promotor and representatives from Campus and Community Affairs had to negotiate an agreement in order for a subsequent Dire Straits concert at the venue to go ahead. Key to the discussion was convincing the SAC officials that Dire Straits was not a “rock group”.

Source:  The Varsity (University of Toronto). March 7, 1979. Pg. 1.

Fate of the Venue:  Convocation Hall continues to function as a venue for public events.

Commodore Ballroom. Vancouver, British Columbia.

Date:  April 14, 1979. Two shows.

Venue:  Commodore Ballroom. 868 Granville St. Vancouver, BC. V6Z 1K3. Canada.

Find it on Google Maps: https://goo.gl/maps/4J1tXtknWAhW7DMA7

Venue Exterior

1981:

Source: City of Vancouver Archives.

2018:

Venue Interior:

Date Unknown:

1979:

Source: Vancouver Sun. Nov. 30, 1979. Pg. 2L.

Opening Act:  Unknown. Please drop me a note if you have any information.

Poster / Flyer / Handbill:  I have not (yet) come across a poster, flyer or handbill for the Destroyers’ shows at the Commodore Ballroom in 1979.  Please get in touch if you have a scan or a photo that you can share.

Press & Promotion

Source:  Vancouver Express. Apr. 2, 1979. Pg. C10.

Source: Vancouver Express. April 12, 1979. Pg. B4.

Source: Richmond Review. Apr. 4, 1979. Pg. 10A.

Source: Circus Magazine. April 17, 1979. Pp. 10-11.

Ticket Price:  Unknown.

Ticket Stub:  I have not (yet) come across a ticket stub for the Destroyers’ shows at the Commodore Ballroom.  Please get in touch if you have a scan or a photo that you can share.  

Attendance: The Destroyers’ shows at the Commodore Ballroom were sold out. The Commodore Ballroom had capacity for 990 people in 1979.

Source: Vancouver Express. April 16, 1979. Pg. A10.

Set List:

  • One Bourbon, One Scotch, One Beer
  • Madison Blues
  • Cocaine Blues
  • Who Do You Love?

Source: Vancouver Express. April 16, 1979. Pg. A10.

Were the Concerts Recorded?  Unknown. Please get in touch if you have any information.

Concert Photos:

Source: Public Enemy. May 1979. No. 6. Pg. 3.

Concert Reaction:  

Vaughn Palmer of the Vancouver Express liked what he saw when the Destroyers played the Commodore Ballroom in 1979:

“Lonesome George is the roughest, toughest, rootinest, tootinest, best damn electric guitarist north, south, east and west of the Pecos! Heck, the way ole George fires off licks, no one even sounds like they are second. Honest.

Thorogood proved it with two absolute killer sellout shows at the Commodore. The shows were as basic and dirty as music ever gets: rhythm and blues, lotsa slide, a little country, duck walkin’, and a beat that could restart your heart. I hear they used to call it rock and roll.”

Source: Vancouver Express. April 16, 1979. Pg. A10.

Duncan Rayside of the publication Public Enemy positively recapped the Destroyers’ concerts at the Commodore Ballroom:

“Thorogood doesn’t play to make ’em watch, he plays to make ’em dance. He proved it April 14 by taking a packed Commodore jumpin’ through the night that began and ended with Chuck Berry…

He danced and duck walked, he played his guitar behind his back, on his back and twisted sideways… There was a genuine warmth and good humour exchanged between audience and performers.

In the Destroyers, Thorogood has got himself a clean bass player […] and a drummer with the stamina of a bricklayer on stimulants.

Thorogood and the Destroyers deliver the goods with a no bulls**t enthusiasm that makes everyone from the UBC [University of British Columbia] library to the East End grease get happy.”

Source: Public Enemy. May 1979. No. 6. Pg. 3.

Other Notes:

Above: George Thorogood and Bill Blough accept Gold Records at A&A Records and Tapes in Vancouver, BC for sales of the Canadian (Attic Records) edition of Move It On Over. Source: RPM Magazine. July 7, 1979. Pg. 13.

To annotate this scene slightly, A&A Records and Tapes was just a half block down the street from the Commodore Ballroom at 900 Granville Street.

Fate of the Venue:  The Commodore Ballroom continues to host concerts and other public events.